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The Sojourn, by Andrew Krivak
Ebook Download The Sojourn, by Andrew Krivak
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From Publishers Weekly
Starred Review. Krivak follows his revelatory memoir (A Long Retreat) with this lush, accomplished novel. After Jozef Vinich's mother dies while saving his life as an infant, Jozef and his widowed father relocate from a small Colorado mining town back to their Austrian homeland. Though Jozef's boyhood is marred by lingering feelings of abandonment, resentment, ingrained sadness, and two bullying stepbrothers, his life is enhanced by frequent dreams of his mother and a close friendship with troubled distant cousin Zlee. Both boys revel in the family hunting trips, which hone their sharpshooting abilities, expertise put to use when both go off to fight in WWI as marksmen, over Jozef's father's objections. Krivak dexterously exposes the stark, brutal realities of trench warfare, the horror of a POW camp, and the months of violent bloodshed that stole the boys' innocence. Once home from war, the author's depiction of Jozef's arduous return to life, love, and family is charged with emotion and longing, revealing this lean, resonant debut as an undeniably powerful accomplishment. (May) (c) Copyright PWxyz, LLC. All rights reserved.
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DAYTON LITERARY PEACE PRIZE WINNERCHAUTAUQUA PRIZE WINNERNATIONAL BOOK AWARD FINALISTWASHINGTON POST Notable Book of the YearNATIONAL PUBLIC RADIO Top 5 Book Club Pick“Splendid . . . a novel for anyone who has a sharp eye and ear for life.” —NPR All Things Considered“[A] powerful, assured first novel . . . Packed with violence and death, yet wonderfully serene in its tone, Andrew Krivak’s The Sojourn—shortlisted for this year’s National Book Award—reminds us that one never knows from where the blow will fall and that, always, in the midst of life we are in death. . . . If the early pages of The Sojourn sometimes recall Cormac McCarthy (especially The Crossing), the heart of the book is a harrowing portrait of men at war, as powerful as Ernst Junger’s classic Storm of Steel and Isaac Babel’s brutally poetic Red Cavalry stories.” —Washington Post”Surging in pace and momentum, The Sojourn is a deeply affecting narrative conjured by the rhythms of Krivak’s superb and sinuous prose. Intimate and keenly observed, it is a war story, love story, and coming of age novel all rolled into one. I thought of Lermontov and Stendhal, Joseph Roth, and Cormac McCarthy as I read. But make no mistake. Krivak’s voice and sense of drama are entirely his own.” —Sebastian Smee of the Boston Globe“Novels set during World War I (think of The English Patient or A Long Long Way) possess a desolation, violence and a desperate longing to go back, to return to life as it was lived before the war. . . . [The Sojourn] is an ever-hopeful series of fresh starts and dashed hopes, a beautiful tale of persistence and dogged survival, set in the mountains, villages and battlefields of a Europe that exists only in memories and stories.” —Los Angeles Times“A captivating, thoughtful narrative . . . and poignant reminder of how humanity was so greatly affected by what was once called the war to end all wars.” —Minneapolis Star Tribune“[The Sojourn] can be read as a classic of war. It is beautifully plotted, as rapt and understated as a hymn. . . . [Krivak] writes hunting scenes as evocative as those in The Deer Hunter. Then he outstrips that film in rending the harrowing and seductive elements of war.” —Cleveland Plain Dealer“[The Sojourn] deserves to be placed on the same shelf as Remarque, Hemingway and Heller . . . Krivak has written an anti-war novel with all the heat of a just-fired artillery gun.” —Barnes and Noble Review/ Christian Science Monitor“Hope for the future, the conversion of tragedy into meaning—lurks throughout The Sojourn’s lush and lyrical prose.” —IMAGE: Art, Faith, Mystery“An engrossing narrative that goes beyond a war novel into a character study of loss and redemption.” —Rain Taxi Review of Books“Krivak writes of war with the skill of a mature novelist/observer. Death, dysentery, starvation, chaos, amputation, prison. All are here in elegant prose—plus touches of rare beauty and tenderness as Jozef comes full circle with is past, his father, his country—even the idea of his father’s reverse migration. All of this in less than two hundred pages.” —CounterPunch“Unsentimental yet elegant . . . with ease, [The Sojourn] joins the ranks of other significant works of fiction portraying World War I—Erich Maria Remarque’s All Quiet on the Western Front or Ernest Hemingway’s A Farewell to Arms.” —Library Journal (starred review) “The ghost of Hemingway informs some of Krivak’s notes from the front lines, while several other literary influences seem to be evident in his slender book, including the Italian novelist and memoirist Primo Levi, himself the veteran of a very long walk through Europe, and, for obvious reasons, the Charles Frazier of Cold Mountain. Yet Krivak has his own voice, given to lyrical observations on the nature of human existence.” —Kirkus Reviews (starred review) “Deftly wrought, quietly told . . . Krivak studied all the Great War novels before writing, and the result is a debut novel at home amongst those classics. Highly recommended.” —Historical Novels Review (Editor’s Choice) “Rendered in spare, elegant prose, yet rich in authentic detail, The Sojourn . . . stands with the most memorable stories about World War I. Krivak’s tale has an archetypal quality; it is a retelling of the hero’s inner and outer journey through impossibly rugged landscapes, toward survival and wholeness.” —ForeWord Reviews“Inspired by oral histories of the “ol’ kawntree” passed on by his Slovakian grandmother, Krivak, who once dreamed of a career in music and spent eight years in a Jesuit order, has crafted a novel of uncommon lyricism and moral ambiguity that balances the spare with the expansive. He juxtaposes the brutality of Jozef’s environment, both natural and human, during his childhood in the Carpathians and his military service on the Italian front and after with the beauty of mountain vistas and moments of love, sacrifice, and compassion between his finely drawn characters.” —The Chautauqua Prize committee“The Sojourn is a work of uncommon strength by a writer of rare and powerful elegance about a war, now lost to living memory, that echoes in headlines of international strife to this day.” —Mary Doria Russell, author of Doc and The Sparrow“The Sojourn is a fiercely wrought novel, populated by characters who lead harsh, even brutal lives, which Krivak renders with impressive restraint, devoid of embellishment or sentimentality. And yet—almost despite such a stoic prose style—his sentences accrue and swell and ultimately break over a reader like water: they are that supple and bracing and shining.” —Leah Hager Cohen, author of House LightsDAYTON LITERARY PEACE PRIZE WINNERCHAUTAUQUA PRIZE WINNERNATIONAL BOOK AWARD FINALISTWASHINGTON POST Notable Book of the YearNATIONAL PUBLIC RADIO Top 5 Book Club Pick“Splendid . . . a novel for anyone who has a sharp eye and ear for life.†―NPR All Things Considered“[A] powerful, assured first novel . . . Packed with violence and death, yet wonderfully serene in its tone, Andrew Krivak’s The Sojourn―shortlisted for this year’s National Book Award―reminds us that one never knows from where the blow will fall and that, always, in the midst of life we are in death. . . . If the early pages of The Sojourn sometimes recall Cormac McCarthy (especially The Crossing), the heart of the book is a harrowing portrait of men at war, as powerful as Ernst Junger’s classic Storm of Steel and Isaac Babel’s brutally poetic Red Cavalry stories.†―Washington Postâ€Surging in pace and momentum, The Sojourn is a deeply affecting narrative conjured by the rhythms of Krivak’s superb and sinuous prose. Intimate and keenly observed, it is a war story, love story, and coming of age novel all rolled into one. I thought of Lermontov and Stendhal, Joseph Roth, and Cormac McCarthy as I read. But make no mistake. Krivak’s voice and sense of drama are entirely his own.†―Sebastian Smee of the Boston Globe“Novels set during World War I (think of The English Patient or A Long Long Way) possess a desolation, violence and a desperate longing to go back, to return to life as it was lived before the war. . . . [The Sojourn] is an ever-hopeful series of fresh starts and dashed hopes, a beautiful tale of persistence and dogged survival, set in the mountains, villages and battlefields of a Europe that exists only in memories and stories.†―Los Angeles Times“A captivating, thoughtful narrative . . . and poignant reminder of how humanity was so greatly affected by what was once called the war to end all wars.†―Minneapolis Star Tribune“[The Sojourn] can be read as a classic of war. It is beautifully plotted, as rapt and understated as a hymn. . . . [Krivak] writes hunting scenes as evocative as those in The Deer Hunter. Then he outstrips that film in rending the harrowing and seductive elements of war.†―Cleveland Plain Dealer“[The Sojourn] deserves to be placed on the same shelf as Remarque, Hemingway and Heller . . . Krivak has written an anti-war novel with all the heat of a just-fired artillery gun.†―Barnes and Noble Review/ Christian Science Monitor“Hope for the future, the conversion of tragedy into meaning―lurks throughout The Sojourn’s lush and lyrical prose.†―IMAGE: Art, Faith, Mystery“An engrossing narrative that goes beyond a war novel into a character study of loss and redemption.†―Rain Taxi Review of Books“Krivak writes of war with the skill of a mature novelist/observer. Death, dysentery, starvation, chaos, amputation, prison. All are here in elegant prose―plus touches of rare beauty and tenderness as Jozef comes full circle with is past, his father, his country―even the idea of his father’s reverse migration. All of this in less than two hundred pages.†―CounterPunch“Unsentimental yet elegant . . . with ease, [The Sojourn] joins the ranks of other significant works of fiction portraying World War I―Erich Maria Remarque’s All Quiet on the Western Front or Ernest Hemingway’s A Farewell to Arms.†―Library Journal (starred review) “The ghost of Hemingway informs some of Krivak’s notes from the front lines, while several other literary influences seem to be evident in his slender book, including the Italian novelist and memoirist Primo Levi, himself the veteran of a very long walk through Europe, and, for obvious reasons, the Charles Frazier of Cold Mountain. Yet Krivak has his own voice, given to lyrical observations on the nature of human existence.†―Kirkus Reviews (starred review) “Deftly wrought, quietly told . . . Krivak studied all the Great War novels before writing, and the result is a debut novel at home amongst those classics. Highly recommended.†―Historical Novels Review (Editor’s Choice) “Rendered in spare, elegant prose, yet rich in authentic detail, The Sojourn . . . stands with the most memorable stories about World War I. Krivak’s tale has an archetypal quality; it is a retelling of the hero’s inner and outer journey through impossibly rugged landscapes, toward survival and wholeness.†―ForeWord Reviews“Inspired by oral histories of the “ol’ kawntree†passed on by his Slovakian grandmother, Krivak, who once dreamed of a career in music and spent eight years in a Jesuit order, has crafted a novel of uncommon lyricism and moral ambiguity that balances the spare with the expansive. He juxtaposes the brutality of Jozef’s environment, both natural and human, during his childhood in the Carpathians and his military service on the Italian front and after with the beauty of mountain vistas and moments of love, sacrifice, and compassion between his finely drawn characters.†―The Chautauqua Prize committee“The Sojourn is a work of uncommon strength by a writer of rare and powerful elegance about a war, now lost to living memory, that echoes in headlines of international strife to this day.†―Mary Doria Russell, author of Doc and The Sparrow“The Sojourn is a fiercely wrought novel, populated by characters who lead harsh, even brutal lives, which Krivak renders with impressive restraint, devoid of embellishment or sentimentality. And yet―almost despite such a stoic prose style―his sentences accrue and swell and ultimately break over a reader like water: they are that supple and bracing and shining.†―Leah Hager Cohen, author of House Lights
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Product details
Paperback: 192 pages
Publisher: Bellevue Literary Press; First Edition edition (April 19, 2011)
Language: English
ISBN-10: 1934137340
ISBN-13: 978-1934137345
Product Dimensions:
5.2 x 0.5 x 8 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
111 customer reviews
Amazon Best Sellers Rank:
#271,858 in Books (See Top 100 in Books)
I have other great novelists who write great prose. Nino Ricci, Pat Conroy, and yes as other reviewers have mentioned Hemingway.While reading The Sojourn I could imagine myself being right where Jozef Vinich was; whether in the hills tending the sheep with his father, on the battlefield, or while stalking another sharpshooter like himself in the various mountain regions.I have to admit that I was hesitant whether I wanted to continue reading after the first chapter. The story line was worth following, I liked the flow of the story Jozef is telling but for some reason the author didn't use quotation marks during dialogue. I have never run across this style of writing before and found it hard to concentrate. When I got to chapter two quotation marks and correct punctuation was again added.A young man growing up in his fathers homeland. His father Ondrej Vinich has harsh ways of making his son learn about everyday life and especially how to stalk prey and hunt for food. but learning to handle a riffle is what Jozef must learn.When war comes to their doorstep, Jozef and his adopted brother Zlee both enlist against his fathers wishes.Jozefs only fear once the war is finally over is whether Ondrej is still alive and will he forgive him for going to war in the first place.This book is a keeper. One I am sure to enjoy again.
Andrew Krivak's "The Sojourn" is a story that was already missed before it ended. In 191 short but well-written pages Krivak has penned a remarkable first novel. It is short but, for this reviewer at least, it has the qualities of an epic journey from a young man's heady rebellion to grim conformity and on to redemptive rebirth and renewal.Set in the twilight years of the Habsburg Austro-Hungarian Empire, the story tells the tale of Jozef Vinich, an American-born shepherd living in the Carpathians with his father and half-brother. The coming of the Great War reaches and eventually touches their lives, pulling them into the maelstrom. Jozef marches off to war as a sharpshooter, dealing death on the Italian Front of World War One as a soldier of the Emperor. We see a slow transformation in Jozef from a youth rebelling against his father and walking into a brutal war, to a wronged foot soldier and lost soul shunted back to a home he barely recognizes.In this short book it is the writing that stands out: descriptive imagery that brings to a sharp view what the author was trying to put down to paper. This is exemplified in the following sentence: "Windage was light and the morning air dry, and Zlee just brushed the trigger and I watched that man's head snap back and body crumble as though it had been relieved of its bones." The sentence could have been split in two, but nevertheless the imagery it conjures is unmistakable. "The Sojourn" is a memorable read, and will be a worthy addition to the bookshelf.
This is two books, one about a man seeking redemption through fatherhood and hard work; another about a war that sweeps up Slovakia along with the rest of the Austrian-Hungarian Empire. The first story would stand on its own and could be the script of a movie. The rest of the book, from home to front and back again provides an equally compelling story. Most of us don't know much about the 'forgotten war" on the Italian front. Aside from Hemingway, I have read almost nothing about the mountainous front line where armies crossed rivers to find solid inclines of resistance and where two armies met their demise, and eventually a nation. Although The Sojourn is not a comprehensive look at the Italian front, it you keep your maps handy, you will get a pretty good view. Note to Kindle users; take advantage of the links to various Wiki entries and give yourself a lesson in geography and WWI.
The setup of this was a bit slow, in part to explain how one moving to America decided to return to be a shepherd in his old country. He also took his son and sort of adopted another. The story is mainly about the interactions of the two "brother" at least in feelings, and their interaction growing up and in World War I. The book surprised me many times and made for an absorbing story line. The last book I read of it's style was "the painted bird" by Jerzy Kozinski. So be prepare to listen to some explaining meanderings but a real group of plots that make for a great story...shu
This is a historical novel set in eastern Europe prior to and leading into WW1. It is a dark read, as necessitated by the subject matter. The main characters suffer a lot of sadness and must struggle through adversity. It has a good period feel and the characters are richly drawn. It is a human story of how we plod through what life throws at us.
Except for a mushy title, The Sojourn is a well realized novel that sets off in a direction that is the opposite of what most will expect. Starting in America, and ending there, the author reverses the usual course of migration and sends his hero, Josef, back to the Old Country--Slovakia--on the brink of World War I. From there the book finds its pace with the events that the war demands, as Jozef, who is well prepared for the hunting life, becomes one of the emperor's more successful snipers. It's a dangerous occupation that grows more so when the war ends in victory for the Allies, but Krivak walks us through all the steps that end in a slow but sure recovery. What is most interesting in the end is the part that luck plays in the major twists and turns of the story. Interesting, but perhaps wisely left unexplored.
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